MI Drops ‘Bad Belle’ Video From His Chairman Album

Top rapper MI Abaga has released the video of the song “Bad Belle” off his widely acclaimed album, The Chairman.

This single features Moti Cakes and was shot in Lagos by top video director Mex.

There are amazing shots and also a few comedic skits in the video as MI  once again shows a touch in genius.

mi

•MI

The video features cameos from Chocolate City members DJ Caise, Pryse and Koker as well as Ruby Gyang, Loose Kanyon, Milli, DJ Lambo, ReinHardz and G Plus from Loopy music.

Big names in the industry from Basket Mouth, Modenine, Sound Sultan, Yung Six, Show Dem Camp, Sasha P, Kid Konnect, Efa, Falz, Aje Butter, Ink, DJ Sose, DJ Spinall, L37, Chigirl, Black Magic, Terry Tha Rapman, 2 Shot, Hench, VJ Adams & Dala also made individual cameo appearances.

Bad Belle takes a street Hip-hop approach with MI delivering heavy punch lines along with clever lines.

The chorus is delivered by Moti Cakes who voices over the “It’s allowed hooked”.

 

Source – Informania

Tiwa Savage Emerges City People’s 2014 Sexiest Female Musician

12Why Tiwa Savage is Nigeria’s sexiest female musician of 2014

Multiple award-winning music star, Tiwa Savage has emerged City People’s sexiest female musician for 2014. Without doubt, Tiwa has it all together – beauty, brains, talent. She is one of Nigeria’s highly-rated female acts. Sexiness is an attitude and she’s got it. The way she carries herself on stage, even the way she blows minds in her music videos. Her sexy dance steps makes her an amazing performer. A perfect example of this was at the recent Channel O Awards stage performance where she performed alongside Patoranking – Tiwa made it all believable.

Another reason why Tiwa is the sexiest female musician of 2014 is her carriage in outfits.With confidence, she is not afraid to wear what she likes or what she should wear in videos, on stage or at event to drive her point home. Tiwa is also known for her signature long weaves. We all know long weaves are sexy, and the way she flips her hair while dancing – she knows this like ABC. It works for her all the time. There she is, Tiwa Savage, Nigeria’ sexiest female musician of 2014.

Source – kokomansion

Skales, The Botched EME Experiment And The Nigerian Music Industry – Obinna Agwu

 

It’s no more news that EME and the uber talented Skales have parted ways. However, certain unanswered questions linger in my mind as neither party has seen it fit to come out with an official statement. Yet, even with the paucity of information on the fall-out, initial public opinion has been largely skewed against Skales. Especially on twitter, people, for the most part, have made denigrating remarks against Skales; one particular handle tweeted: “Heard EME finally stopped their corporate social responsibility project A.K.A Skales.”

 I think these comments have been very unfair to the artiste and a little one-sided. I believe that EME is, at least, equally culpable in this matter as well. For starters, I gathered that Skales’ contract with EME was for a three-year period. What I do not know is whether the contract was a 3 year/1 album deal, 3 year/2 album deal, 3 year/3 album deal or a 3year/ no album deal (as the prevailing circumstance would suggest). I’m quite certain the contract would have included a specified number of albums to be recorded by the artiste within the period, as it will be unheard of to have a recording contract without such specification. So, if there was a specified number of albums agreed upon in the contract – as I would like to believe – then who takes the blame for this awkward barrenness? My guess is EME; after all, he who pays the piper, calls the tune. More so, with Skales releasing over 20 tracks (leaked and unleaked), we cannot say there was a dearth of materials to make an album. So what was the problem? Could it be that EME wasn’t impressed with the direction Skales’s music/album was going, and so decided not to renew its deal with Skales because they felt it may no longer be a profitable venture, like I read on TheNet.ng? If that is the case, when did EME get this epiphany? Who paid for and sanctioned the release of the plethora of songs by Skales over the years? Who bankrolled the accompanying videos? If EME was responsible for these expenses, as one would expect, how can they now conveniently disassociate themselves from the direction of the album? Trust me, if one of those random releases had “blown,” EME would not have silently taken the glory for minting another starboy, no! Banky would probably had taught a master class at the SMW on “How to Serially Make Music Stars” with Skales as case study. Of course, EME would have also expedited action on the said album.

Unfortunately, the grand EME experiment failed to gain significant traction and now it’s the guinea pig’s fault? That narrative doesn’t fly with me, it just throws light on the real issue, which is the deliberate lack of structure and the prevailing trial and error business model the Nigerian record labels have so eagerly embraced. For instance, after all the money EME has made over the years do they even have a studio (not a home unit please)? Do they have an A&R Executive to plan and oversee artistes’ projects? http://citrusmusiclive.com/?p=923. Did they have a budget for the ‘Skales project’ and do they have any for Shaydee and Niyola now? This spell of arbitrariness pervading the Nigerian music industry might be its greatest undoing. And why are the ‘major’ Nigerian labels still working the antiquated ‘roaster system’ where label mates have to mandatorily take turns to put out albums? If y’all don’t have adequate financial and human resources, please shove your self-serving contracts up you’re a*** and stem the waste. The richest record label in Nigeria probably has only enough funds for 2 artistes, but what do they do, they sign four others to satisfy their over bloated egos, and leave them to wither away, fund-starved, for the duration of their miserable contracts. Now I guess it’s Shaydee’s turn  to play the “drop a ‘hit’ single or get dumped” game, right? Such a pity. Sadly, when boiled down to it’s essence, much like most labels around here, EME is just one man and a logo. Not much more.

This business model and its attendant machine gun styled releases cannot augur well. The industry landscape is already littered with too many aborted projects and wasted talents resulting from the antics of these badly run Music Speculating Shops. Even sadder, is the fact that nearly all our ‘Majors’ fall into this ignoble company. Seriously, are we moving forward or retrogressing? Even Question Mark Records, from the jump, meant better for the business than these labels who have even made more money off the business. Q Mark had a state of the art studio and a corporate office that we all knew; they had an A&R executive in the person of Seyi Sokefun, a functioning website, and other staff to see to promotions and other requisite functions.

Finally, my last words go to the budding artiste; take your destiny in your hands and don’t be too desperate to sign the dotted lines. Ask the right questions before you sign that contract. And if you forget to ask anything else please ask for a detailed budget for your project with timelines, and insist on having that little financial clause incorporated into the agreement with an exit clause that allows you to walk away from the deal if a certain mutually agreed amount is not committed to your project within an initially agreed period. This will protect you from being left on the shelf to gather dust after inking a record deal.

Here’s my take.

EME made a very stern statement of intent by not making a video for Skales’ break-out song, Heading For A Grammy and also co-opting Skales to go on tour with Wizkid, leaving plenty room for distraction. What the Skales project lacked was proper artistic direction, which EME was inCAPABLE of providing.

Again, this is my take. Y’all can oblige yourselves here…

Please find time to read my earlier piece on this issue: The Whole Skale Detour

 Obinna Agwu is a music business enthusiast on twitter as @d_angrymob

Views expressed are solely the author’s